La Belle et la Bête: Nadja et le Mômo

This essay examines the anti-humanism of the surrealist movement through a study of two important surrealist characters, the eponymous heroine of André Breton’s Nadja and Antonin Artaud’s adopted identity “Mômo”. Both Nadja and Artaud compare themselves to animals to critique and resist the dehumani...

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Veröffentlicht in:	Neophilologus 2020-12, Vol.104 (4), p.453-467
Hauptverfasser:	Metzidakis Stamos, Young, Kyle
Format:	Artikel
Sprache:	fre
Schlagworte:	20th century Animales Artaud, Antonin (1896-1948) Breton, Andre (1896-1966) Cine y teatro Cinema and theatre Cocteau, Jean (1889-1963) Dramaturgos Estereotipos Fantasy Fantasía Fictional characters French culture French literature French theatre Heroes Héroes Literary criticism Mental disorders Personajes literarios Playwrights Siglo XX Stereotypes Surrealism Surrealismo Teatro francés
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Beschreibung
Zusammenfassung:	This essay examines the anti-humanism of the surrealist movement through a study of two important surrealist characters, the eponymous heroine of André Breton’s Nadja and Antonin Artaud’s adopted identity “Mômo”. Both Nadja and Artaud compare themselves to animals to critique and resist the dehumanization they suffer due to mental illness.
ISSN:	0028-2677 1572-8668
DOI:	10.1007/s11061-020-09654-6