Torsional Materialism: Artwork beyond the Immanence/Transcendence Divide

ARTWORK BETWEEN IMMANENCE AND TRANSCENDENCE As sketched in the introductory part of this paper, much of the contemporary philosophy and theory inspired by Guattari and Deleuze-the so-called new materialisms-has developed in an attempt to forge new models of thinking about art, society and nature awa...

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Veröffentlicht in:The Comparatist 2020-10, Vol.44 (1), p.46-59
1. Verfasser: Filipovic, Andrija
Format: Artikel
Sprache:eng
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Zusammenfassung:ARTWORK BETWEEN IMMANENCE AND TRANSCENDENCE As sketched in the introductory part of this paper, much of the contemporary philosophy and theory inspired by Guattari and Deleuze-the so-called new materialisms-has developed in an attempt to forge new models of thinking about art, society and nature away from the (postmodern, poststructuralist) linguistic model. [...]the body (of the artwork) is exhausted in its relational becoming. According to Garcia, in vectorial ontologies "what is in the world is not identity but difference, trajectory, becoming . . According to Deleuze and Guattari the book, but any other body and any other artwork as well, is always already opened toward the exteriority compared to the root-book.
ISSN:0195-7678
1559-0887
1559-0887
DOI:10.1353/com.2020.0003