Torsional Materialism: Artwork beyond the Immanence/Transcendence Divide
ARTWORK BETWEEN IMMANENCE AND TRANSCENDENCE As sketched in the introductory part of this paper, much of the contemporary philosophy and theory inspired by Guattari and Deleuze-the so-called new materialisms-has developed in an attempt to forge new models of thinking about art, society and nature awa...
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Veröffentlicht in: | The Comparatist 2020-10, Vol.44 (1), p.46-59 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | ARTWORK BETWEEN IMMANENCE AND TRANSCENDENCE As sketched in the introductory part of this paper, much of the contemporary philosophy and theory inspired by Guattari and Deleuze-the so-called new materialisms-has developed in an attempt to forge new models of thinking about art, society and nature away from the (postmodern, poststructuralist) linguistic model. [...]the body (of the artwork) is exhausted in its relational becoming. According to Garcia, in vectorial ontologies "what is in the world is not identity but difference, trajectory, becoming . . According to Deleuze and Guattari the book, but any other body and any other artwork as well, is always already opened toward the exteriority compared to the root-book. |
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ISSN: | 0195-7678 1559-0887 1559-0887 |
DOI: | 10.1353/com.2020.0003 |