Siena and the Angevins (1300–1350): Art, Diplomacy, and Dynastic Ambition. Diana Norman. Studies in the Visual Cultures of the Middle Ages 13. Turnhout: Brepols, 2018. iv + 272 pp. €125

Siena and the Angevins (1300–1350): Art, Diplomacy, and Dynastic Ambition. Here, instead, Norman immerses us immediately into Trecento Siena and its close participation in the Guelph affinity led by King Robert of Anjou. Norman carefully demonstrates these Angevin royals’ role in maintaining the Gue...

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Veröffentlicht in:Renaissance quarterly 2019, Vol.72 (4), p.1486-1487
1. Verfasser: Musto, Ronald G.
Format: Review
Sprache:eng
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Zusammenfassung:Siena and the Angevins (1300–1350): Art, Diplomacy, and Dynastic Ambition. Here, instead, Norman immerses us immediately into Trecento Siena and its close participation in the Guelph affinity led by King Robert of Anjou. Norman carefully demonstrates these Angevin royals’ role in maintaining the Guelph alliance throughout the peninsula, leading up to her analysis of Siena's Nine, whose close ties to King Robert's political agendas influenced Lorenzetti's and Martini's visual programs.
ISSN:0034-4338
1935-0236
DOI:10.1017/rqx.2019.424