The Geopolitics of Nordic Noir: Representations of current threats and vigilantes in contemporary Danish and Norwegian serial drama

The "golden age" of Scandinavian television has often been associated with Nordic Noir crime dramas, yet many of the acclaimed serials also engage with geopolitical themes such as migration, cross-border crime, military conflicts, and global terrorism. In this article, we examine the ways...

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Veröffentlicht in:Nordicom review 2020-09, Vol.41 (SI 1), p.43-61
Hauptverfasser: Dodds, Klaus, Hochscherf, Tobias
Format: Artikel
Sprache:eng
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Zusammenfassung:The "golden age" of Scandinavian television has often been associated with Nordic Noir crime dramas, yet many of the acclaimed serials also engage with geopolitical themes such as migration, cross-border crime, military conflicts, and global terrorism. In this article, we examine the ways in which Nordic Noir contributes to discourses on such topics. We look specifically at the dramas Okkupert [Occupied] (NRK, 2015-), Ornen [The Eagle] (DR, 2004-2006), Nobel - fred for enhverpris [Nobel-Peace at any Cost] (NRK, 2016), and Kriger [Warrior] (Netflix, 2018-) as they explore potential threats to Scandinavian society and the Nordic welfare state through the distinct figure of the vigilante veteran. Returning soldiers, as we argue, are particularly productive of geopolitics because they are shown to be adept (even well suited) to dealing with the geopolitical uncanny. They, in fact, problematise the positive Scandinavian self-image. While Scandinavian society, as can be inferred from the dramas, has become hypocritical and complacent owing to a very high standard of living, the veterans are the only people adept at responding to threats and crises.
ISSN:2001-5119
1403-1108
2001-5119
DOI:10.2478/nor-2020-0015