The Return of the Bricoleur? Emplotment, Intentionality, and Tradition in Paleolithic Art
In this paper, we want to re-visit some of the core assumptions about the making of the images we call Paleolithic art. We propose that not all images were made as derived from a long standing and formal system of image-making guidelines, and that many can be more likely accounted for as a part of b...
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Veröffentlicht in: | Journal of archaeological method and theory 2020-09, Vol.27 (3), p.511-525 |
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Sprache: | eng |
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