Sundance 2020: Inclusion, Diversity, and Disability beyond Diagnosis
Thirty years after the passage of the Americans with Disabilities Act, are festivals like Sundance ready to move beyond basic access to embrace a new disability aesthetic? In search of an answer, Lawrence Carter-Long attends his first Sundance Film Festival, with a goal of assessing Sundance's...
Gespeichert in:
Veröffentlicht in: | Film quarterly 2020-07, Vol.73 (4), p.75-81 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 81 |
---|---|
container_issue | 4 |
container_start_page | 75 |
container_title | Film quarterly |
container_volume | 73 |
creator | Carter-Long, Lawrence |
description | Thirty years after the passage of the Americans with Disabilities Act, are festivals like Sundance ready to move beyond basic access to embrace a new disability aesthetic? In search of an answer, Lawrence Carter-Long attends his first Sundance Film Festival, with a goal of assessing Sundance's commitment to disability access and inclusion beyond the branding and rhetoric. He reviews the Festival's disability-focused programming, participation, panels, and planning, much of which was supported by the Festival's new partnership with the Ruderman Family Foundation, whose philanthropy focuses on disability rights. Carter-Long discusses audience favorites Crip Camp and The Reason I Jump, both of which received audience awards, as well as the Festival's efforts to provide closed-captioning (CC) via individual CaptiView devices and Feature Film Captioning Service, concluding that the Festival set a new standard for disability inclusion and access. |
doi_str_mv | 10.1525/FQ.2020.73.4.75 |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_2423825207</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>48735308</jstor_id><sourcerecordid>48735308</sourcerecordid><originalsourceid>FETCH-LOGICAL-c175t-cf9ca8a32db9fe35ebb52e849bd86d1e92d5d2515f31ce70c722c2c191040cf33</originalsourceid><addsrcrecordid>eNo9j0FLxDAQRoMoWNc9exIEz-1OZjpNepTFXYUFEfUc2jQBi7a7SXvw39tScS7f5b35ZoS4kZBJRt7sXjMEhExRlmeKz0QimSjVBcG5SAAkp5J0cSmuYmxhmoJUItZvY9dUnXV3s3wtLnz1Fd36L1fiY_f4vn1KDy_75-3DIbVS8ZBaX9pKV4RNXXpH7Oqa0em8rBtdNNKV2HCDLNmTtE6BVYgWrSwl5GA90UrcL3uPoT-NLg6m7cfQTZUGcySNjKAmarNQNvQxBufNMXx-V-HHSDDzz8afzHy2UWRyo3gybhejjUMf_vFcK2ICTb9B1E_9</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2423825207</pqid></control><display><type>article</type><title>Sundance 2020: Inclusion, Diversity, and Disability beyond Diagnosis</title><source>JSTOR Archive Collection A-Z Listing</source><creator>Carter-Long, Lawrence</creator><creatorcontrib>Carter-Long, Lawrence</creatorcontrib><description>Thirty years after the passage of the Americans with Disabilities Act, are festivals like Sundance ready to move beyond basic access to embrace a new disability aesthetic? In search of an answer, Lawrence Carter-Long attends his first Sundance Film Festival, with a goal of assessing Sundance's commitment to disability access and inclusion beyond the branding and rhetoric. He reviews the Festival's disability-focused programming, participation, panels, and planning, much of which was supported by the Festival's new partnership with the Ruderman Family Foundation, whose philanthropy focuses on disability rights. Carter-Long discusses audience favorites Crip Camp and The Reason I Jump, both of which received audience awards, as well as the Festival's efforts to provide closed-captioning (CC) via individual CaptiView devices and Feature Film Captioning Service, concluding that the Festival set a new standard for disability inclusion and access.</description><identifier>ISSN: 0015-1386</identifier><identifier>EISSN: 1533-8630</identifier><identifier>DOI: 10.1525/FQ.2020.73.4.75</identifier><language>eng</language><publisher>Berkeley: University of California Press</publisher><subject>Disability ; Disorders ; Festival programming ; FESTIVAL REPORTS ; Handicapped accessibility ; Motion picture festivals ; People with disabilities ; Rhetoric ; Workplace diversity</subject><ispartof>Film quarterly, 2020-07, Vol.73 (4), p.75-81</ispartof><rights>2020 by The Regents of the University of California</rights><rights>Copyright University of California Press Books Division Summer 2020</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/48735308$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/48735308$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,27924,27925,58017,58250</link.rule.ids></links><search><creatorcontrib>Carter-Long, Lawrence</creatorcontrib><title>Sundance 2020: Inclusion, Diversity, and Disability beyond Diagnosis</title><title>Film quarterly</title><description>Thirty years after the passage of the Americans with Disabilities Act, are festivals like Sundance ready to move beyond basic access to embrace a new disability aesthetic? In search of an answer, Lawrence Carter-Long attends his first Sundance Film Festival, with a goal of assessing Sundance's commitment to disability access and inclusion beyond the branding and rhetoric. He reviews the Festival's disability-focused programming, participation, panels, and planning, much of which was supported by the Festival's new partnership with the Ruderman Family Foundation, whose philanthropy focuses on disability rights. Carter-Long discusses audience favorites Crip Camp and The Reason I Jump, both of which received audience awards, as well as the Festival's efforts to provide closed-captioning (CC) via individual CaptiView devices and Feature Film Captioning Service, concluding that the Festival set a new standard for disability inclusion and access.</description><subject>Disability</subject><subject>Disorders</subject><subject>Festival programming</subject><subject>FESTIVAL REPORTS</subject><subject>Handicapped accessibility</subject><subject>Motion picture festivals</subject><subject>People with disabilities</subject><subject>Rhetoric</subject><subject>Workplace diversity</subject><issn>0015-1386</issn><issn>1533-8630</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2020</creationdate><recordtype>article</recordtype><recordid>eNo9j0FLxDAQRoMoWNc9exIEz-1OZjpNepTFXYUFEfUc2jQBi7a7SXvw39tScS7f5b35ZoS4kZBJRt7sXjMEhExRlmeKz0QimSjVBcG5SAAkp5J0cSmuYmxhmoJUItZvY9dUnXV3s3wtLnz1Fd36L1fiY_f4vn1KDy_75-3DIbVS8ZBaX9pKV4RNXXpH7Oqa0em8rBtdNNKV2HCDLNmTtE6BVYgWrSwl5GA90UrcL3uPoT-NLg6m7cfQTZUGcySNjKAmarNQNvQxBufNMXx-V-HHSDDzz8afzHy2UWRyo3gybhejjUMf_vFcK2ICTb9B1E_9</recordid><startdate>20200701</startdate><enddate>20200701</enddate><creator>Carter-Long, Lawrence</creator><general>University of California Press</general><general>University of California Press Books Division</general><scope>AAYXX</scope><scope>CITATION</scope><scope>C18</scope></search><sort><creationdate>20200701</creationdate><title>Sundance 2020</title><author>Carter-Long, Lawrence</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c175t-cf9ca8a32db9fe35ebb52e849bd86d1e92d5d2515f31ce70c722c2c191040cf33</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2020</creationdate><topic>Disability</topic><topic>Disorders</topic><topic>Festival programming</topic><topic>FESTIVAL REPORTS</topic><topic>Handicapped accessibility</topic><topic>Motion picture festivals</topic><topic>People with disabilities</topic><topic>Rhetoric</topic><topic>Workplace diversity</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Carter-Long, Lawrence</creatorcontrib><collection>CrossRef</collection><collection>Humanities Index</collection><jtitle>Film quarterly</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Carter-Long, Lawrence</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Sundance 2020: Inclusion, Diversity, and Disability beyond Diagnosis</atitle><jtitle>Film quarterly</jtitle><date>2020-07-01</date><risdate>2020</risdate><volume>73</volume><issue>4</issue><spage>75</spage><epage>81</epage><pages>75-81</pages><issn>0015-1386</issn><eissn>1533-8630</eissn><abstract>Thirty years after the passage of the Americans with Disabilities Act, are festivals like Sundance ready to move beyond basic access to embrace a new disability aesthetic? In search of an answer, Lawrence Carter-Long attends his first Sundance Film Festival, with a goal of assessing Sundance's commitment to disability access and inclusion beyond the branding and rhetoric. He reviews the Festival's disability-focused programming, participation, panels, and planning, much of which was supported by the Festival's new partnership with the Ruderman Family Foundation, whose philanthropy focuses on disability rights. Carter-Long discusses audience favorites Crip Camp and The Reason I Jump, both of which received audience awards, as well as the Festival's efforts to provide closed-captioning (CC) via individual CaptiView devices and Feature Film Captioning Service, concluding that the Festival set a new standard for disability inclusion and access.</abstract><cop>Berkeley</cop><pub>University of California Press</pub><doi>10.1525/FQ.2020.73.4.75</doi><tpages>7</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0015-1386 |
ispartof | Film quarterly, 2020-07, Vol.73 (4), p.75-81 |
issn | 0015-1386 1533-8630 |
language | eng |
recordid | cdi_proquest_journals_2423825207 |
source | JSTOR Archive Collection A-Z Listing |
subjects | Disability Disorders Festival programming FESTIVAL REPORTS Handicapped accessibility Motion picture festivals People with disabilities Rhetoric Workplace diversity |
title | Sundance 2020: Inclusion, Diversity, and Disability beyond Diagnosis |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-22T11%3A32%3A20IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Sundance%202020:%20Inclusion,%20Diversity,%20and%20Disability%20beyond%20Diagnosis&rft.jtitle=Film%20quarterly&rft.au=Carter-Long,%20Lawrence&rft.date=2020-07-01&rft.volume=73&rft.issue=4&rft.spage=75&rft.epage=81&rft.pages=75-81&rft.issn=0015-1386&rft.eissn=1533-8630&rft_id=info:doi/10.1525/FQ.2020.73.4.75&rft_dat=%3Cjstor_proqu%3E48735308%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2423825207&rft_id=info:pmid/&rft_jstor_id=48735308&rfr_iscdi=true |