Sundance 2020: Inclusion, Diversity, and Disability beyond Diagnosis
Thirty years after the passage of the Americans with Disabilities Act, are festivals like Sundance ready to move beyond basic access to embrace a new disability aesthetic? In search of an answer, Lawrence Carter-Long attends his first Sundance Film Festival, with a goal of assessing Sundance's...
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Veröffentlicht in: | Film quarterly 2020-07, Vol.73 (4), p.75-81 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Thirty years after the passage of the Americans with Disabilities Act, are festivals like Sundance ready to move beyond basic access to embrace a new disability aesthetic? In search of an answer, Lawrence Carter-Long attends his first Sundance Film Festival, with a goal of assessing Sundance's commitment to disability access and inclusion beyond the branding and rhetoric. He reviews the Festival's disability-focused programming, participation, panels, and planning, much of which was supported by the Festival's new partnership with the Ruderman Family Foundation, whose philanthropy focuses on disability rights. Carter-Long discusses audience favorites Crip Camp and The Reason I Jump, both of which received audience awards, as well as the Festival's efforts to provide closed-captioning (CC) via individual CaptiView devices and Feature Film Captioning Service, concluding that the Festival set a new standard for disability inclusion and access. |
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ISSN: | 0015-1386 1533-8630 |
DOI: | 10.1525/FQ.2020.73.4.75 |