La partition musicale et chorégraphique

Following the theme of “Multiples”, this debate questions the vocabularies set up by collaborations between musicians, dancers, choreographers, programmers and researchers. The questions put to our small multidisciplinary group come from our own conversations about the relationship between music and dance, and our collaborations over time; they draw new responses to capture the complex reality of the “music-dance” dyad and better reflect the multiplicity of recording techniques by score and the philosophies inherent in them. The discussion sheds light on practices that are sometimes divergent but some of which also testify to collaboration between disciplines, thus opening up traditional conceptions of notation to new perspectives.