Emotional Valence and Vividness of Imagery Predict Aesthetic Appeal in Music
Although prior work indicates that most people find music appealing, it is unclear which characteristics of music most strongly contribute to judgments of its aesthetic appeal. This study sought to examine which of a set of subjective feelings-emotional valence, emotional arousal, and vividness of e...
Gespeichert in:
Veröffentlicht in: | Psychomusicology 2019-06, Vol.29 (2-3), p.128-135 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | Although prior work indicates that most people find music appealing, it is unclear which characteristics of music most strongly contribute to judgments of its aesthetic appeal. This study sought to examine which of a set of subjective feelings-emotional valence, emotional arousal, and vividness of evoked imagery-best predicted the aesthetic appeal of musical excerpts. A large sample of online participants (N = 300) listened to and rated music from three genres: classical, jazz, and electronica. Listeners rated the musical excerpts on four characteristics: emotional valence, emotional arousal, vividness of evoked imagery, and aesthetic appeal. Linear mixed-effects modeling was conducted to identify the relationships between these characteristics. Results indicated that emotional valence was the strongest predictor of aesthetic appeal, followed by vividness of evoked imagery, and that both showed a positive relationship with aesthetic appeal. Conversely, emotional arousal showed a weak, but negative, relationship with aesthetic appeal. Despite the overall predictive ability of these features across listeners, listeners showed a high level of disagreement as to which pieces they found particularly appealing and vivid (intraclass correlation coefficient values |
---|---|
ISSN: | 0275-3987 2162-1535 |
DOI: | 10.1037/pmu0000232 |