La représentation de l'oral dans les textes dramatiques contemporains

The purpose of this article is to study how authors have recourse to the oral marks. In doing so we will measure the effects produced by these modes of stylization. Using as basis a corpus of three authors (Durringer, Lemahieu, Wittoski), we wish to analyse some mode of production of spoken language and the way oral language is transposed into written code by studying different phenomena of phonetic, prosodic and discursive nature.