Regards, frayeurs et points de suspension dans L'Oiseau Bleu de Maurice Maeterlinck
The very famous play L'Oiseau Bleu, by the Belgian Literature Nobel Prize Maurice Maeterlinck, has been of significant interest for more than a century among theatre and film directors, art creators of all kinds and critics. Its different facets of fairy, symbolic and metaphysical tale make it...
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Veröffentlicht in: | Anales de filología francesa 2019-01, Vol.27, p.533-553 |
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Format: | Artikel |
Sprache: | fre |
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Online-Zugang: | Volltext |
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Zusammenfassung: | The very famous play L'Oiseau Bleu, by the Belgian Literature Nobel Prize Maurice Maeterlinck, has been of significant interest for more than a century among theatre and film directors, art creators of all kinds and critics. Its different facets of fairy, symbolic and metaphysical tale make it a charming and surprising play. Examining the vocabulary, I'll study the importance of sight and fear in this work: the words that describe these two notions are superabundant. After trying to find out their meaning for the author, I'll analyse an unusual formal characteristic in the text: the countless suspension points. |
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ISSN: | 0213-2958 1989-4678 |
DOI: | 10.6018/analesff.362061 |