The Eighteenth-Century Diaspora of Italian Music and Musicians/Opera and Drama in Eighteenth-Century London: The King's Theatre, Garrick and the Business of Performance/Italian Opera in Late Eighteenth-Century London. Vol. 2, The Pantheon Opera and Its Aftermath 1789-1795

Parker reviews The Eighteenth-Century Diaspora of Italian Music and Musicians edited by Reinhard Strohm, Opera and Drama in Eighteenth-Century London: The King's Theatre Garrick and the Business of Performance by Ian Woodfield, and Italian Opera in Late Eighteenth-Century London. Vol2, The Pant...

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Veröffentlicht in:Journal of the American Musicological Society 2004, Vol.57 (2), p.410
1. Verfasser: Parker, Mary Ann
Format: Review
Sprache:eng
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Zusammenfassung:Parker reviews The Eighteenth-Century Diaspora of Italian Music and Musicians edited by Reinhard Strohm, Opera and Drama in Eighteenth-Century London: The King's Theatre Garrick and the Business of Performance by Ian Woodfield, and Italian Opera in Late Eighteenth-Century London. Vol2, The Pantheon Opera and Its Aftermath 1789-1795 by Judith Mihous, Gabriella Dideriksen, and Robert D. Hume.
ISSN:0003-0139
1547-3848