The Eighteenth-Century Diaspora of Italian Music and Musicians/Opera and Drama in Eighteenth-Century London: The King's Theatre, Garrick and the Business of Performance/Italian Opera in Late Eighteenth-Century London. Vol. 2, The Pantheon Opera and Its Aftermath 1789-1795
Parker reviews The Eighteenth-Century Diaspora of Italian Music and Musicians edited by Reinhard Strohm, Opera and Drama in Eighteenth-Century London: The King's Theatre Garrick and the Business of Performance by Ian Woodfield, and Italian Opera in Late Eighteenth-Century London. Vol2, The Pant...
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Veröffentlicht in: | Journal of the American Musicological Society 2004, Vol.57 (2), p.410 |
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Format: | Review |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Parker reviews The Eighteenth-Century Diaspora of Italian Music and Musicians edited by Reinhard Strohm, Opera and Drama in Eighteenth-Century London: The King's Theatre Garrick and the Business of Performance by Ian Woodfield, and Italian Opera in Late Eighteenth-Century London. Vol2, The Pantheon Opera and Its Aftermath 1789-1795 by Judith Mihous, Gabriella Dideriksen, and Robert D. Hume. |
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ISSN: | 0003-0139 1547-3848 |