The Effects of Primacy and Recency Upon Audience Response to Five Film Versions of Shakespeare's "Hamlet"

Lake shows how the effects of primacy and recency may be used in film to convey a sense of artistic coherence, even in productions that do not provide psychological closure. He focuses on five film versions of William Shakespeare's "Hamlet," directed respectively by Laurence Olivier,...

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Veröffentlicht in:	Literature film quarterly 2000-01, Vol.28 (2), p.112-117
1. Verfasser:	Lake, James H.
Format:	Artikel
Sprache:	eng
Schlagworte:	Abstracting Audiences Branagh, Kenneth British & Irish literature College students Drama English literature Film adaptations Kozintsev, Grigori Lyth, Ragnor Memory Mnemonics Motion picture criticism Motion picture directors & producers Movies Olivier, Laurence Primacy effect Proverbs Psychology Recency Sequencing Shakespeare plays Shakespeare, William (1564-1616) Theater Zeffirelli, Franco
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Beschreibung
Zusammenfassung:	Lake shows how the effects of primacy and recency may be used in film to convey a sense of artistic coherence, even in productions that do not provide psychological closure. He focuses on five film versions of William Shakespeare's "Hamlet," directed respectively by Laurence Olivier, Grigori Kozintsev, Ragnor Lyth, Franco Zeffirelli, and Kenneth Branagh.
ISSN:	0090-4260 2573-7597