Compensating Scientism Through The Black Hole

The Motion Picture, and The Empire Strikes Back are all essentially stories of the archetypal quest which communicate values that reject rationalism as a philosophy.3 The Black Hole, Walt Disney Productions' first big-budget science fiction film further illustrates this compensatory tendency. First shown as a holographic image projected in the Palomino control room, the black hole is light blue.\n The shot of hell is directly followed by the sequence's concluding shot of a shining, vaulted corridor through which the camera dollies foward, toward a brilliant white circle of light.