LA DONNA NEL DRAMMA ITALIANO DELLA SECONDA METÀ DEL XX SECOLO TRA SPETTACOLO, COMUNICAZIONE E RIFONDAZIONE DEL LINGUAGGIO ORALE
If the literature from the seventies of the 20th century, at first timidly and then with ever greater force, manages to give voice to women, to make it visible, the theatre "represents" it in all its being claiming the right to impose itself in the world, recognizing them the ability to af...
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Veröffentlicht in: | Estudios románicos 2018-01, Vol.27, p.197-209 |
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Format: | Artikel |
Sprache: | ita |
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Online-Zugang: | Volltext |
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Zusammenfassung: | If the literature from the seventies of the 20th century, at first timidly and then with ever greater force, manages to give voice to women, to make it visible, the theatre "represents" it in all its being claiming the right to impose itself in the world, recognizing them the ability to affect the social fabric and to make epochal transformations. In fact, it is undeniable that the theatre, born from anthropological pulsions in the boundary zone where multiple genres and languages intersect, give life to a process of synthesis and contaminations in which it is perpetuated, with the exploits of more less mythical, a popular wisdom that is revived according to techniques and models of oral communication, especially for women. |
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ISSN: | 0210-4911 1989-614X |
DOI: | 10.6018/ER/346641 |