Globalization, Re-Discovery of the Malay ‘Local,' and Popular TV Fiction through Audience Narratives

The proliferation of TV fiction can be partly explained by TV producers attuning their products to draw audience's attention. Narratives of love dominate the plots and almost always the good is pitted against the evil, rich against the poor - ultimately the good always wins. The formula may be...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Journal of language teaching, linguistics, and literature linguistics, and literature, 2016-01, Vol.22 (2), p.31-48
Hauptverfasser: Idrus, Mohd Muzhafar, Hashim, Ruzy Suliza, M. M., Raihanah
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:The proliferation of TV fiction can be partly explained by TV producers attuning their products to draw audience's attention. Narratives of love dominate the plots and almost always the good is pitted against the evil, rich against the poor - ultimately the good always wins. The formula may be cliched, but in places where news of war, terrorism, diseases, violence, and conflicts usually prevail, respite from tumultuous realities of the world can often be found in popular TV fiction. Here, we study three popular Malay TV fiction, Julia, On Dhia, and Adam & Hawa to examine how TV fiction viewers relate to them through personal narratives and focus group interviews. Through their voices, we reveal that despite TV fiction viewers' constant preoccupation with Western-imposed globalization, the TV fiction set against the backdrop of globalization can encourage the viewers to re-route their ways to re-discover their imaginary 'good old days' that are often dismissed, neglected or forgotten.
ISSN:0128-5157
0128-5157
DOI:10.17576/3L-2016-2202-03