Constructing Poetic Identity: Iberia as a Heterotopia in Oswald von Wolkenstein's Songs

This article considers Iberia in four songs by Oswald von Wolkenstein as a figurative space in which the poet fashions his poetic identity. Oswald's Iberia functions as a Foucauldian heterotopia, a space that can accommodate foreignness and 'exoticism' as well as conventions and the f...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:The Modern language review 2019-04, Vol.114 (2), p.274
1. Verfasser: Zerka, Doriane
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page
container_issue 2
container_start_page 274
container_title The Modern language review
container_volume 114
creator Zerka, Doriane
description This article considers Iberia in four songs by Oswald von Wolkenstein as a figurative space in which the poet fashions his poetic identity. Oswald's Iberia functions as a Foucauldian heterotopia, a space that can accommodate foreignness and 'exoticism' as well as conventions and the familiarity of court culture. This hybrid space becomes a stage upon which Oswald performs different lyrical personae. As new anecdotes play with facets of Iberia, performative acts reveal facets of Oswald's poetic self. Iberia as heterotopia allows Oswald's kaleidoscopic construction of his poetic identity.
doi_str_mv 10.5699/modelangrevi.114.2.0274
format Article
fullrecord <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_2242780602</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>2242780602</sourcerecordid><originalsourceid>FETCH-LOGICAL-c231t-13ab86ece87bb8b197640c39cd451b05252ea0a9fedc3287a24fd13edffc6d763</originalsourceid><addsrcrecordid>eNpNkE1LAzEYhIMoWKu_wYAHT7vma5Ndb1LUFgoVVHoM2ey7Zes2qUla6b93Sz04l4FhmIEHoVtK8kJW1cPGN9Abtwqw73JKRc5ywpQ4QyM2KBOcVudoRAiTmaq4ukRXMa4JIbISYoSWE-9iCjubOrfCbx5SZ_GsAZe6dHjEsxpCZ7CJ2OApJAg--e0QdA4v4o_pG7z3Di99_wXDDHTuPuJ371bxGl20po9w8-dj9Pny_DGZZvPF62zyNM8s4zRllJu6lGChVHVd1rRSUhDLK9uIgtakYAUDQ0zVQmM5K5Vhom0oh6ZtrWyU5GN0d9rdBv-9g5j02u-CGy41Y4KpkkjChpY6tWzwMQZo9TZ0GxMOmhJ9pKj_U9QDRc30kSL_BauEark</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2242780602</pqid></control><display><type>article</type><title>Constructing Poetic Identity: Iberia as a Heterotopia in Oswald von Wolkenstein's Songs</title><source>Jstor Complete Legacy</source><creator>Zerka, Doriane</creator><creatorcontrib>Zerka, Doriane</creatorcontrib><description>This article considers Iberia in four songs by Oswald von Wolkenstein as a figurative space in which the poet fashions his poetic identity. Oswald's Iberia functions as a Foucauldian heterotopia, a space that can accommodate foreignness and 'exoticism' as well as conventions and the familiarity of court culture. This hybrid space becomes a stage upon which Oswald performs different lyrical personae. As new anecdotes play with facets of Iberia, performative acts reveal facets of Oswald's poetic self. Iberia as heterotopia allows Oswald's kaleidoscopic construction of his poetic identity.</description><identifier>ISSN: 0026-7937</identifier><identifier>EISSN: 2222-4319</identifier><identifier>DOI: 10.5699/modelangrevi.114.2.0274</identifier><language>eng</language><publisher>Belfast: Modern Humanities Research Association</publisher><subject>Culture ; Identity ; Poetics ; von Wolkenstein, Oswald</subject><ispartof>The Modern language review, 2019-04, Vol.114 (2), p.274</ispartof><rights>Copyright Modern Humanities Research Association Apr 2019</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780,27901,27902</link.rule.ids></links><search><creatorcontrib>Zerka, Doriane</creatorcontrib><title>Constructing Poetic Identity: Iberia as a Heterotopia in Oswald von Wolkenstein's Songs</title><title>The Modern language review</title><description>This article considers Iberia in four songs by Oswald von Wolkenstein as a figurative space in which the poet fashions his poetic identity. Oswald's Iberia functions as a Foucauldian heterotopia, a space that can accommodate foreignness and 'exoticism' as well as conventions and the familiarity of court culture. This hybrid space becomes a stage upon which Oswald performs different lyrical personae. As new anecdotes play with facets of Iberia, performative acts reveal facets of Oswald's poetic self. Iberia as heterotopia allows Oswald's kaleidoscopic construction of his poetic identity.</description><subject>Culture</subject><subject>Identity</subject><subject>Poetics</subject><subject>von Wolkenstein, Oswald</subject><issn>0026-7937</issn><issn>2222-4319</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2019</creationdate><recordtype>article</recordtype><recordid>eNpNkE1LAzEYhIMoWKu_wYAHT7vma5Ndb1LUFgoVVHoM2ey7Zes2qUla6b93Sz04l4FhmIEHoVtK8kJW1cPGN9Abtwqw73JKRc5ywpQ4QyM2KBOcVudoRAiTmaq4ukRXMa4JIbISYoSWE-9iCjubOrfCbx5SZ_GsAZe6dHjEsxpCZ7CJ2OApJAg--e0QdA4v4o_pG7z3Di99_wXDDHTuPuJ371bxGl20po9w8-dj9Pny_DGZZvPF62zyNM8s4zRllJu6lGChVHVd1rRSUhDLK9uIgtakYAUDQ0zVQmM5K5Vhom0oh6ZtrWyU5GN0d9rdBv-9g5j02u-CGy41Y4KpkkjChpY6tWzwMQZo9TZ0GxMOmhJ9pKj_U9QDRc30kSL_BauEark</recordid><startdate>20190401</startdate><enddate>20190401</enddate><creator>Zerka, Doriane</creator><general>Modern Humanities Research Association</general><scope>AAYXX</scope><scope>CITATION</scope><scope>C18</scope></search><sort><creationdate>20190401</creationdate><title>Constructing Poetic Identity: Iberia as a Heterotopia in Oswald von Wolkenstein's Songs</title><author>Zerka, Doriane</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c231t-13ab86ece87bb8b197640c39cd451b05252ea0a9fedc3287a24fd13edffc6d763</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2019</creationdate><topic>Culture</topic><topic>Identity</topic><topic>Poetics</topic><topic>von Wolkenstein, Oswald</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Zerka, Doriane</creatorcontrib><collection>CrossRef</collection><collection>Humanities Index</collection><jtitle>The Modern language review</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Zerka, Doriane</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Constructing Poetic Identity: Iberia as a Heterotopia in Oswald von Wolkenstein's Songs</atitle><jtitle>The Modern language review</jtitle><date>2019-04-01</date><risdate>2019</risdate><volume>114</volume><issue>2</issue><spage>274</spage><pages>274-</pages><issn>0026-7937</issn><eissn>2222-4319</eissn><abstract>This article considers Iberia in four songs by Oswald von Wolkenstein as a figurative space in which the poet fashions his poetic identity. Oswald's Iberia functions as a Foucauldian heterotopia, a space that can accommodate foreignness and 'exoticism' as well as conventions and the familiarity of court culture. This hybrid space becomes a stage upon which Oswald performs different lyrical personae. As new anecdotes play with facets of Iberia, performative acts reveal facets of Oswald's poetic self. Iberia as heterotopia allows Oswald's kaleidoscopic construction of his poetic identity.</abstract><cop>Belfast</cop><pub>Modern Humanities Research Association</pub><doi>10.5699/modelangrevi.114.2.0274</doi></addata></record>
fulltext fulltext
identifier ISSN: 0026-7937
ispartof The Modern language review, 2019-04, Vol.114 (2), p.274
issn 0026-7937
2222-4319
language eng
recordid cdi_proquest_journals_2242780602
source Jstor Complete Legacy
subjects Culture
Identity
Poetics
von Wolkenstein, Oswald
title Constructing Poetic Identity: Iberia as a Heterotopia in Oswald von Wolkenstein's Songs
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-30T23%3A48%3A35IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Constructing%20Poetic%20Identity:%20Iberia%20as%20a%20Heterotopia%20in%20Oswald%20von%20Wolkenstein's%20Songs&rft.jtitle=The%20Modern%20language%20review&rft.au=Zerka,%20Doriane&rft.date=2019-04-01&rft.volume=114&rft.issue=2&rft.spage=274&rft.pages=274-&rft.issn=0026-7937&rft.eissn=2222-4319&rft_id=info:doi/10.5699/modelangrevi.114.2.0274&rft_dat=%3Cproquest_cross%3E2242780602%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2242780602&rft_id=info:pmid/&rfr_iscdi=true