The Two Lives of Sara Baartman: Gender, "Race," Politics and the Historiography of Mis/Representation
The story of Sara Baartman, the so-called Hottentot Venus, who was exhibited in both London and Paris at the beginning of the nineteenth century, is part of the long narrative of scientific racism. In the years preceding and succeeding her return to South Africa from the museum in Paris where her br...
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Veröffentlicht in: | Anthropologica (Ottawa) 2018-01, Vol.60 (1), p.327-346 |
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Format: | Artikel |
Sprache: | eng |
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