Reconciliations: New Views and Re-views
At certain moments of receptivity, ideas or ways of thinking presciently coincide with frames of mind. I first read Robert Venturi's Complexity and Contradiction in Architecture (published almost forty years ago) at a transitional and skeptical moment. Deploying now-legendary turns of phrase su...
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Veröffentlicht in: | Art journal (New York. 1960) 2005-12, Vol.64 (4), p.3-3 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | At certain moments of receptivity, ideas or ways of thinking presciently coincide with frames of mind. I first read Robert Venturi's Complexity and Contradiction in Architecture (published almost forty years ago) at a transitional and skeptical moment. Deploying now-legendary turns of phrase such as both-and, more is not less, and less is a bore, the young architect challenged the hegemony and austerity of modern architecture.
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Venturi's "quiet manifesto" made history and popular culture permissible subjects for architectural innovation. His examination of modernism was not a simple condemnation, however, but rather a renegotiation of old with new ideas, formal concepts with cultural phenomena, and past with future. Alternately praised and criticized as a beacon of (a now-dubious) postmodernism, Venturi's intellectual bridge-building demonstrated habits of the mind that were integrative rather than exclusionary. |
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ISSN: | 0004-3249 2325-5307 |
DOI: | 10.1080/00043249.2005.10791177 |