How (Not) to Look at a Woman: Bodily Encounters and the Failure of the Gaze in Horace's c. 1.19
Like the lovers of Roman elegy, the speaker of C. 1.19 claims to be dominated by his beloved. As in elegy, however, this "inversion" is a sham. The speaker retains control over his beloved while expressing his secret hostility toward her. Associating Glycera's body with toxic, uncontr...
Gespeichert in:
Veröffentlicht in: | American journal of philology 2003-04, Vol.124 (1), p.57-80 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | Like the lovers of Roman elegy, the speaker of
C. 1.19 claims to be dominated by his beloved. As in elegy,
however, this "inversion" is a sham. The speaker retains control over his
beloved while expressing his secret hostility toward her. Associating
Glycera's body with toxic, uncontrolled nature, the lover claims that
he risks harm simply by gazing upon her. He attempts to control his
unruly object of desire by identifying her as material for his poetry,
by immobilizing her as a statue, and by symbolically killing/penetrating
her in the ode's closing sacrifice. |
---|---|
ISSN: | 0002-9475 1086-3168 1086-3168 |
DOI: | 10.1353/ajp.2003.0025 |