Nick Enright: An Actor's Playwright
O'Sullivan critiques Enright's portrayal of women across his theatre oeuvre; Hunter concurs that an elision of female perspectives occurs in the film adaptation (Blackrock, 1996) of his complex stage play for young people, A Property of the Clan (1994), but points out that his texts have b...
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Veröffentlicht in: | Theatre research international 2009, Vol.34 (2), p.216 |
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Hauptverfasser: | , , , |
Format: | Review |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | O'Sullivan critiques Enright's portrayal of women across his theatre oeuvre; Hunter concurs that an elision of female perspectives occurs in the film adaptation (Blackrock, 1996) of his complex stage play for young people, A Property of the Clan (1994), but points out that his texts have been used extensively by youth theatre groups to instigate discussion about precisely the sorts of sins of commission and omission to which O'Sullivan refers. |
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ISSN: | 0307-8833 1474-0672 |
DOI: | 10.1017/S0307883309004672 |