Pocket movies: Souvenir cinema programmers and the Danish silent cinema
Sandberg does not try to deny the spectator autonomy made possible by the multiple performance codes of silent film. Instead, his aim is to show that other impulses could also assert themselves in the gap between the pre-recordered visual medium and its variable accompaniments, especially when those...
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Veröffentlicht in: | Film history (New York, N.Y.) N.Y.), 2001-01, Vol.13 (1), p.6 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Sandberg does not try to deny the spectator autonomy made possible by the multiple performance codes of silent film. Instead, his aim is to show that other impulses could also assert themselves in the gap between the pre-recordered visual medium and its variable accompaniments, especially when those other codes took printed form. |
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ISSN: | 0892-2160 1553-3905 |