EL SILENCIO COMO LÍMITE: EN TORNO A LA AFIRMACIÓN ESTÉTICA DE LA MEMORIA TRAUMÁTICA

After the tragedy of the Holocaust, emerged huge questions about the appropriateness of its artistic representation. Can be distinguished two tendencies in the studies that have been done about it: one was in the years 60-80, and the other, which began in the 90s, continues today. Addressing such issues involves to deal with the question of silence and assess a some ethical aspects related to artistic expression. One should ask what is the scope that has this notion in the arts.