Reading the Stage
Is the theatre a medium of textual exchange? This essay explores some of the foundational terms by which the New Criticism defined "performance" by defining the nature of "interpretation," particularly the forms of (finally illegitimate) interpretation assigned to actors. This or...
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| Veröffentlicht in: | Shakespeare bulletin 2007-12, Vol.25 (4), p.69-83 |
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| container_end_page | 83 |
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| container_issue | 4 |
| container_start_page | 69 |
| container_title | Shakespeare bulletin |
| container_volume | 25 |
| creator | Worthen, W. B. |
| description | Is the theatre a medium of textual exchange? This essay explores some of the foundational terms by which the New Criticism defined "performance" by defining the nature of "interpretation," particularly the forms of (finally illegitimate) interpretation assigned to actors. This orientation to the stage as a means of textual transmission surprisingly persists in a range of approaches to Shakespeare in performance, particularly where notions of the performance as a mode of "interpretation" are engaged. |
| doi_str_mv | 10.1353/shb.2008.0014 |
| format | Article |
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B.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c1745-23c53e5e713c66ff19d6970c6db42fa66eb7777a6c14a5f2aefd20713b42a7193</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2007</creationdate><topic>American literature</topic><topic>Brooks, Cleanth (1906-1994)</topic><topic>Criticism</topic><topic>Heilman, Robert</topic><topic>Ibsen, Henrik</topic><topic>Interpretations</topic><topic>Literary criticism</topic><topic>Literary dialogue</topic><topic>Movies</topic><topic>Norwegian drama</topic><topic>Paraphrase</topic><topic>Performance studies</topic><topic>Play languages</topic><topic>Playwriting</topic><topic>Poetry</topic><topic>Reading</topic><topic>Shakespearean plays</topic><topic>Theater</topic><topic>Theater criticism</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Worthen, W. B.</creatorcontrib><collection>CrossRef</collection><jtitle>Shakespeare bulletin</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Worthen, W. B.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Reading the Stage</atitle><jtitle>Shakespeare bulletin</jtitle><date>2007-12-01</date><risdate>2007</risdate><volume>25</volume><issue>4</issue><spage>69</spage><epage>83</epage><pages>69-83</pages><issn>0748-2558</issn><issn>1931-1427</issn><eissn>1931-1427</eissn><abstract>Is the theatre a medium of textual exchange? This essay explores some of the foundational terms by which the New Criticism defined "performance" by defining the nature of "interpretation," particularly the forms of (finally illegitimate) interpretation assigned to actors. This orientation to the stage as a means of textual transmission surprisingly persists in a range of approaches to Shakespeare in performance, particularly where notions of the performance as a mode of "interpretation" are engaged.</abstract><cop>Baltimore</cop><pub>The Johns Hopkins University Press</pub><doi>10.1353/shb.2008.0014</doi><tpages>15</tpages></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 0748-2558 |
| ispartof | Shakespeare bulletin, 2007-12, Vol.25 (4), p.69-83 |
| issn | 0748-2558 1931-1427 1931-1427 |
| language | eng |
| recordid | cdi_proquest_journals_2172615 |
| source | Jstor Complete Legacy |
| subjects | American literature Brooks, Cleanth (1906-1994) Criticism Heilman, Robert Ibsen, Henrik Interpretations Literary criticism Literary dialogue Movies Norwegian drama Paraphrase Performance studies Play languages Playwriting Poetry Reading Shakespearean plays Theater Theater criticism |
| title | Reading the Stage |
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