Fruit and rot: Vegetal theology in Perceforest
In the French prose romance Perceforest , an extended passage describes the Creator as a tree bearing the world’s creatures on its branches like fruit. The fruit draws nourishment from the tree as from a breast before coming to ripeness, falling to the ground, rotting, and eventually being resurrect...
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Veröffentlicht in: | Postmedieval a journal of medieval cultural studies 2018-11, Vol.9 (4), p.455-466 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | In the French prose romance
Perceforest
, an extended passage describes the Creator as a tree bearing the world’s creatures on its branches like fruit. The fruit draws nourishment from the tree as from a breast before coming to ripeness, falling to the ground, rotting, and eventually being resurrected in a new form. The imagery of fruit and rot evokes Eucharistic and alchemical traditions, suggesting a vegetal model of death and resurrection. In
Perceforest
, rot is an essential part of a cyclical cosmos, while bodies that refuse to rot are dangerous and must be destroyed. By purging the British forests of unrotted bodies, the hero Gallafur restores the vegetal cycle of decay and rebirth, and shows himself to be worthy of the throne. |
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ISSN: | 2040-5960 2040-5979 |
DOI: | 10.1057/s41280-018-0101-7 |