Editor’s Note
Tylus discusses the predella panel from the Berenson collection by Sienese artist Matteo di Giovanni, painted for the church of Sant'Agostino in the town of Asciano around 1474. This is the only surviving panel from the predella to Matteo's altarpiece of Mary's assumption. The paintin...
Gespeichert in:
Veröffentlicht in: | I Tatti studies 2018-04, Vol.21 (1), p.1 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | Tylus discusses the predella panel from the Berenson collection by Sienese artist Matteo di Giovanni, painted for the church of Sant'Agostino in the town of Asciano around 1474. This is the only surviving panel from the predella to Matteo's altarpiece of Mary's assumption. The painting appears as a cover for this issue of the journal. |
---|---|
ISSN: | 0393-5949 2037-6731 |