Polskie Wesele AD 1968 z Szarym Człowiekiem w tle

Sikora states that Drygas collided two performances that happened in one place and at one time and that remained opaque to each other in a special way - the act of self-immolation by Siwiec and the state harvest festival taking place at the stadium. The analysis of these issues leads him to the conclusion that film and cinema as a form of ritual can break the spell cast on history, but also allow it to be seen again and again in a different and fuller light. 1 Por. np. 14 B. Kirshenblatt-Gimblett, Performance Studies, Rockefeller Foundation, Culture and Creativity, September 1999, http://www.nyu.edu/classes/bkg/issues/rock2.htm (dostęp: 6.11.2017) 15 R. Schechner, Performatyka. 24 V Bell, Culture and Performance: The Challenge of Ethics, Politics and Feminist Theory, Berg, Oxford 2007, s. 5 (podkreślenie moje).