"Ad imaginem suam": Regional Chant Variants and the Origins of the "Jeu d'Adam"
The earliest surviving dramatic work in the French vernacular is a semiliturgical play now known as the "Jeu d'Adam." The first section of the play is semiliturgical because it indicates by textual incipit seven prolix responsories - Gregorian chants usually sung as part of Matins, th...
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Veröffentlicht in: | Comparative drama 2002-10, Vol.36 (3/4), p.359-390 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | The earliest surviving dramatic work in the French vernacular is a semiliturgical play now known as the "Jeu d'Adam." The first section of the play is semiliturgical because it indicates by textual incipit seven prolix responsories - Gregorian chants usually sung as part of Matins, the most substantial service in the cycle of prayers known as the Divine Office - to be performed by a chorus at certain points in the action. The singing of Gregorian chant varied significantly from region to region in the Middle Ages. The responsory in particular offers a range of details that may differ regionally. On the basis of chant manuscripts, it is almost certain that the creator of the "Jeu d'Adam" was a monk or was familiar with the Adam responsories as they were sung in a monastery rather than in a cathedral or other nonmonastic church. |
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ISSN: | 0010-4078 1936-1637 1936-1637 |
DOI: | 10.1353/cdr.2002.0025 |