Introduction to the Special Issue on Sonic Information Design: Theory, Methods, and Practice, Part 1

The term auditory display was coined in the 1950s by Pollack and Ficks (1954), who were experimenting with auditory versions of the visual cockpit displays to improve pilot performance. Auditory display research moved to the computer in the 1980s, where human–computer interaction researchers investi...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Ergonomics in design 2018-10, Vol.26 (4), p.3-3
Hauptverfasser: Jeon, Myounghoon, Walker, Bruce N., Barrass, Stephen
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:The term auditory display was coined in the 1950s by Pollack and Ficks (1954), who were experimenting with auditory versions of the visual cockpit displays to improve pilot performance. Auditory display research moved to the computer in the 1980s, where human–computer interaction researchers investigated how sounds could enable visually impaired users to access digital data; they coined the term data sonification to refer to auditory versions of data visualizations on the computer screen. In 1992 the interest in auditory interfaces led Gregory Kramer to organize the first International Conference on Auditory Display (Kramer, 1994), which established canonical techniques such as earcons, auditory icons, audification, and parameter mapping.
ISSN:1064-8046
2169-5083
DOI:10.1177/1064804618797304