mr. film noir stays at the table

If only because he is as likely to be referred to in Motion Picture Exhibitor or Business Screen as in Cahiers du Cinema or Movie, as likely to win a best director award from the National Association of Theater Owners as from the Venice Film Festival. More often from a high or low angle than from a...

Ausführliche Beschreibung

Gespeichert in:

Bibliographische Detailangaben
Veröffentlicht in:	Film comment 1972-04, Vol.8 (1), p.14-23
Hauptverfasser:	Aldrich, Robert, Silver, Alain
Format:	Magazinearticle
Sprache:	eng
Schlagworte:	Art photography Artistic direction Audio editing Film editing Film producers Gangs Motion picture criticism Motion picture directors & producers Motion picture festivals Motion picture industry Motion pictures Movies Musical direction Novak, Kim Palance, Jack Personal profiles Professional football Screenplays Silver
Online-Zugang:	Volltext
Tags:	Tag hinzufügen Keine Tags, Fügen Sie den ersten Tag hinzu!

Beschreibung
Zusammenfassung:	If only because he is as likely to be referred to in Motion Picture Exhibitor or Business Screen as in Cahiers du Cinema or Movie, as likely to win a best director award from the National Association of Theater Owners as from the Venice Film Festival. More often from a high or low angle than from a natural eye level, Aldrich's camera will capture a figure crouching behind a lamp (Charlie Castle's favorite retreat in THE BIG KNIFE) or lurking in the shadows at the edge of a pool of light (like Lily Carver in KISS ME DEADLY).
ISSN:	0015-119X