Un viaje sin fin. Teatro mexicano hoy

The first two essays provide an overview of Mexican Theater from the 1960s to the present: an introductory synopsis by Fernando de Ita, who comments on the background of different schools and periods from a more canonical point of view, and a second essay by Rodolfo Obregon, who offers a less canonical comment on the more original directors and their experimental mise en scene. The extensively annotated book covers three main topics: women (authors, characters and myths); Mexico City; and theater outside the metropolis (regional theater, frontera theater, and theater from the northern and western parts of the country).