The Art of Perception: Framing in Azorín's "Castilla"

The Art of Perception: Framing in Azorín's "Castilla"

In playing with the boundaries of reality and art, Azorin demonstrates that framing makes perception possible--perception depends on frames which, in turn, means that reality is neither natural nor artificial, but rather constructed. Erickson investigates Azorin's use of framing to give form to...

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Veröffentlicht in:Confluencia (Greeley, Colo.) Colo.), 2004-09, Vol.20 (1), p.17-26
1. Verfasser: Erickson, Lars
Format: Artikel
Sprache:eng ; spa
Schlagworte:
Azorin
Azorin (1873-1967)
Estudios y confluencias
Literary criticism
Literature
Movement perception
Pain perception
Perceptions
Perceptual reality
Permanence
Poetry
Romance literature
Visual perception
Writers
Writing
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Zusammenfassung:In playing with the boundaries of reality and art, Azorin demonstrates that framing makes perception possible--perception depends on frames which, in turn, means that reality is neither natural nor artificial, but rather constructed. Erickson investigates Azorin's use of framing to give form to his writing in Castilla.
ISSN:0888-6091