‘Repentant’ artists in Egypt: debating gender, performing arts and religion

This article explores the emergent public sphere in Egypt in the early 1990s by analysing the debates about the ‘repentant’ artists. Many artists, mostly women but also a few men, stepped down from art for religious reasons. Some of them even started to preach against art because they considered their former profession haram . The ‘repentance’ of so many famous performers led to fierce contestations in the media. Art became an issue par excellence for debating notions of the ‘common good’ and the ‘good Muslim.’ Media were intensively used by secularists, conservative Muslims, Islamists, the regime and repentant artists to publicise their version of Islam. The different voices in the debate are analysed to investigate whether they constitute a counterpublic.