Blackface, White Noise: The Jewish Jazz Singer Finds His Voice
"The Jazz Singer," a film famous for being the first motion picture with sound, is discussed. The film gives equal weight to three stories: the conversion to sound, the conversion of the Jews and the conversion by blackface. As mass culture, the film announced old-world, patriarchal defeat...
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Veröffentlicht in: | Critical inquiry 1992-04, Vol.18 (3), p.417-453 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | "The Jazz Singer," a film famous for being the first motion picture with sound, is discussed. The film gives equal weight to three stories: the conversion to sound, the conversion of the Jews and the conversion by blackface. As mass culture, the film announced old-world, patriarchal defeat to obfuscate new world power and appropriated an imaginary blackness to Americanize the immigrant son. |
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ISSN: | 0093-1896 1539-7858 |
DOI: | 10.1086/448640 |