The Last Four Shots: Problems of Intention and Camus' "The Stranger"
The relation of Albert Camus and Meursault, the central character in Camus' "The Stranger," to mother and country is discussed. The questions of why Mersault kills the Arab and why he fires four shots into an already lifeless body are explored.
Gespeichert in:
| Veröffentlicht in: | American imago 1988-12, Vol.45 (4), p.359-374 |
|---|---|
| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | eng |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | 374 |
|---|---|
| container_issue | 4 |
| container_start_page | 359 |
| container_title | American imago |
| container_volume | 45 |
| creator | MAKARI, GEORGE J. |
| description | The relation of Albert Camus and Meursault, the central character in Camus' "The Stranger," to mother and country is discussed. The questions of why Mersault kills the Arab and why he fires four shots into an already lifeless body are explored. |
| format | Article |
| fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_197189373</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>26303878</jstor_id><sourcerecordid>26303878</sourcerecordid><originalsourceid>FETCH-LOGICAL-j1353-91e0f470c45a6722101336df69b829968bc1ca0ff8fd25bdc7ec392810323a63</originalsourceid><addsrcrecordid>eNp1z01Lw0AQBuAgCtbqTxCWingKzO5kv7yVarVQUWgP3sIm2bUNbVJ3N4j_3khL8eJpLs-878xJMqCgeCo10tNkACB4qgS8nycXIdQAoLMsGyQPy5UlcxMimbadJ4tVG8M9efNtsbHbQFpHZk20TVy3DTFNRSZm24U7MvpdW0Rvmg_rR5fJmTObYK8Oc5gsp4_LyXM6f32aTcbztKbIMdXUgssklBk3QjJGgSKKygldKKa1UEVJSwPOKVcxXlSltCVqpiggQyNwmIz2sTvffnY2xLzub276xpxqSZVGiT26-RcxpYXQqFSvbg_KhNJsXP9IuQ75zq-3xn_nlEpJOc3-pNndly2OYDx7ySHjOSDX415d71UdYuuPiAkEVFLhD2iWckI</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1289669388</pqid></control><display><type>article</type><title>The Last Four Shots: Problems of Intention and Camus' "The Stranger"</title><source>Periodicals Index Online</source><source>JSTOR Archive Collection A-Z Listing</source><source>Alma/SFX Local Collection</source><creator>MAKARI, GEORGE J.</creator><creatorcontrib>MAKARI, GEORGE J.</creatorcontrib><description>The relation of Albert Camus and Meursault, the central character in Camus' "The Stranger," to mother and country is discussed. The questions of why Mersault kills the Arab and why he fires four shots into an already lifeless body are explored.</description><identifier>ISSN: 0065-860X</identifier><identifier>EISSN: 1085-7931</identifier><identifier>CODEN: AMIAAO</identifier><language>eng</language><publisher>Detroit, MI: Wayne State University Press</publisher><subject>20th century ; Ambivalence ; Anger ; Anonymous writers. Authors ; Beaches ; Camus, Albert (1913-1960) ; Desire ; France ; French literature ; French speaking and English speaking literatures ; French speaking literatures ; Funerals ; History and sciences of litterature ; History of literature ; Killing ; Literary criticism ; Mothers ; Murder ; Narrators ; Violence</subject><ispartof>American imago, 1988-12, Vol.45 (4), p.359-374</ispartof><rights>Copyright © 1988 Association for Applied Psychoanalysis, Inc.</rights><rights>Copyright Johns Hopkins University Press Winter 1988</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/26303878$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/26303878$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,27869,58017,58250</link.rule.ids><backlink>$$Uhttp://pascal-francis.inist.fr/vibad/index.php?action=getRecordDetail&idt=11771514$$DView record in Pascal Francis$$Hfree_for_read</backlink></links><search><creatorcontrib>MAKARI, GEORGE J.</creatorcontrib><title>The Last Four Shots: Problems of Intention and Camus' "The Stranger"</title><title>American imago</title><description>The relation of Albert Camus and Meursault, the central character in Camus' "The Stranger," to mother and country is discussed. The questions of why Mersault kills the Arab and why he fires four shots into an already lifeless body are explored.</description><subject>20th century</subject><subject>Ambivalence</subject><subject>Anger</subject><subject>Anonymous writers. Authors</subject><subject>Beaches</subject><subject>Camus, Albert (1913-1960)</subject><subject>Desire</subject><subject>France</subject><subject>French literature</subject><subject>French speaking and English speaking literatures</subject><subject>French speaking literatures</subject><subject>Funerals</subject><subject>History and sciences of litterature</subject><subject>History of literature</subject><subject>Killing</subject><subject>Literary criticism</subject><subject>Mothers</subject><subject>Murder</subject><subject>Narrators</subject><subject>Violence</subject><issn>0065-860X</issn><issn>1085-7931</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1988</creationdate><recordtype>article</recordtype><sourceid>ACFII</sourceid><sourceid>HYQOX</sourceid><sourceid>K30</sourceid><sourceid>~PJ</sourceid><recordid>eNp1z01Lw0AQBuAgCtbqTxCWingKzO5kv7yVarVQUWgP3sIm2bUNbVJ3N4j_3khL8eJpLs-878xJMqCgeCo10tNkACB4qgS8nycXIdQAoLMsGyQPy5UlcxMimbadJ4tVG8M9efNtsbHbQFpHZk20TVy3DTFNRSZm24U7MvpdW0Rvmg_rR5fJmTObYK8Oc5gsp4_LyXM6f32aTcbztKbIMdXUgssklBk3QjJGgSKKygldKKa1UEVJSwPOKVcxXlSltCVqpiggQyNwmIz2sTvffnY2xLzub276xpxqSZVGiT26-RcxpYXQqFSvbg_KhNJsXP9IuQ75zq-3xn_nlEpJOc3-pNndly2OYDx7ySHjOSDX415d71UdYuuPiAkEVFLhD2iWckI</recordid><startdate>19881201</startdate><enddate>19881201</enddate><creator>MAKARI, GEORGE J.</creator><general>Wayne State University Press</general><general>The Johns Hopkins University Press</general><general>Wayne State University Press, etc</general><general>Johns Hopkins University Press</general><scope>IQODW</scope><scope>ACFII</scope><scope>EGZRM</scope><scope>EOLOZ</scope><scope>FKUCP</scope><scope>HYQOX</scope><scope>HZAIM</scope><scope>JVXPA</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>~OX</scope><scope>~OY</scope><scope>~OZ</scope><scope>~P.</scope><scope>~P0</scope><scope>~P1</scope><scope>~PJ</scope><scope>~P~</scope><scope>K9.</scope></search><sort><creationdate>19881201</creationdate><title>The Last Four Shots: Problems of Intention and Camus' "The Stranger"</title><author>MAKARI, GEORGE J.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-j1353-91e0f470c45a6722101336df69b829968bc1ca0ff8fd25bdc7ec392810323a63</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1988</creationdate><topic>20th century</topic><topic>Ambivalence</topic><topic>Anger</topic><topic>Anonymous writers. Authors</topic><topic>Beaches</topic><topic>Camus, Albert (1913-1960)</topic><topic>Desire</topic><topic>France</topic><topic>French literature</topic><topic>French speaking and English speaking literatures</topic><topic>French speaking literatures</topic><topic>Funerals</topic><topic>History and sciences of litterature</topic><topic>History of literature</topic><topic>Killing</topic><topic>Literary criticism</topic><topic>Mothers</topic><topic>Murder</topic><topic>Narrators</topic><topic>Violence</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>MAKARI, GEORGE J.</creatorcontrib><collection>Pascal-Francis</collection><collection>Periodicals Archive Online Foundation Collection 1 (2022)</collection><collection>Periodicals Archive Online Collection 3.1</collection><collection>Periodicals Index Online Segment 01</collection><collection>Periodicals Index Online Segment 04</collection><collection>ProQuest Historical Periodicals</collection><collection>Periodicals Index Online Segment 26</collection><collection>Periodicals Index Online Segment 38</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>PAO Collection 3 (purchase pre Aug/2005)</collection><collection>Periodicals Archive Online Collection 3.4</collection><collection>PAO Collection 3 (subscription only)</collection><collection>PAO Collection 3 (purchase post Aug/2005)</collection><collection>PAO Collection 3 (purchase pre Aug/2005+extra titles)</collection><collection>Periodicals Archive Online Collection 3.3</collection><collection>Periodicals Archive Online Foundation Collection</collection><collection>Periodicals Archive Online Collection 3.2</collection><collection>ProQuest Health & Medical Complete (Alumni)</collection><jtitle>American imago</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>MAKARI, GEORGE J.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>The Last Four Shots: Problems of Intention and Camus' "The Stranger"</atitle><jtitle>American imago</jtitle><date>1988-12-01</date><risdate>1988</risdate><volume>45</volume><issue>4</issue><spage>359</spage><epage>374</epage><pages>359-374</pages><issn>0065-860X</issn><eissn>1085-7931</eissn><coden>AMIAAO</coden><abstract>The relation of Albert Camus and Meursault, the central character in Camus' "The Stranger," to mother and country is discussed. The questions of why Mersault kills the Arab and why he fires four shots into an already lifeless body are explored.</abstract><cop>Detroit, MI</cop><pub>Wayne State University Press</pub><tpages>16</tpages></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 0065-860X |
| ispartof | American imago, 1988-12, Vol.45 (4), p.359-374 |
| issn | 0065-860X 1085-7931 |
| language | eng |
| recordid | cdi_proquest_journals_197189373 |
| source | Periodicals Index Online; JSTOR Archive Collection A-Z Listing; Alma/SFX Local Collection |
| subjects | 20th century Ambivalence Anger Anonymous writers. Authors Beaches Camus, Albert (1913-1960) Desire France French literature French speaking and English speaking literatures French speaking literatures Funerals History and sciences of litterature History of literature Killing Literary criticism Mothers Murder Narrators Violence |
| title | The Last Four Shots: Problems of Intention and Camus' "The Stranger" |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-24T03%3A02%3A08IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=The%20Last%20Four%20Shots:%20Problems%20of%20Intention%20and%20Camus'%20%22The%20Stranger%22&rft.jtitle=American%20imago&rft.au=MAKARI,%20GEORGE%20J.&rft.date=1988-12-01&rft.volume=45&rft.issue=4&rft.spage=359&rft.epage=374&rft.pages=359-374&rft.issn=0065-860X&rft.eissn=1085-7931&rft.coden=AMIAAO&rft_id=info:doi/&rft_dat=%3Cjstor_proqu%3E26303878%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1289669388&rft_id=info:pmid/&rft_jstor_id=26303878&rfr_iscdi=true |