“Music For the Masses”: Milton Babbitt's Cold War Music Theory

Along with such images of heroism, exploration, intransigence and insanity, Milton Babbitt has argued for and exemplified a special relationship between music theory and composition. Babbitt's important metatheoretical papers that began to appear in the late 1950s on this subject are discussed.

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Veröffentlicht in:	The Musical quarterly 1993-07, Vol.77 (2), p.161-192
1. Verfasser:	Brody, Martin
Format:	Artikel
Sprache:	eng
Schlagworte:	American Musics Avant garde music Babbitt, Milton Byron Composers Cultural diversity History Kitsch Mass settings Modernist art Music composition Music criticism Music theory Musical criticism Philosophy Scientific language
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description	Along with such images of heroism, exploration, intransigence and insanity, Milton Babbitt has argued for and exemplified a special relationship between music theory and composition. Babbitt's important metatheoretical papers that began to appear in the late 1950s on this subject are discussed.
doi_str_mv	10.1093/mq/77.2.161
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source	Oxford University Press Journals Digital Archive Legacy; Periodicals Index Online; JSTOR Archive Collection A-Z Listing
subjects	American Musics Avant garde music Babbitt, Milton Byron Composers Cultural diversity History Kitsch Mass settings Modernist art Music composition Music criticism Music theory Musical criticism Philosophy Scientific language
title	“Music For the Masses”: Milton Babbitt's Cold War Music Theory
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