Zangorromangos, bimbilindrones, chuchumbés y otros eufemismos líricos populare
Within oral and popular compositions, there are some words that stand out for the significance of their meaning. They are refrains which work as a kind of an expressive, rhythmic and metaphorical tag, even though their hidden meaning is somehow mysterious. These stylistic devices are halfway between...
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Veröffentlicht in: | Olivar (La Plata) 2012-12, Vol.13 (18), p.135 |
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creator | Pedrosa, José Manuel |
description | Within oral and popular compositions, there are some words that stand out for the significance of their meaning. They are refrains which work as a kind of an expressive, rhythmic and metaphorical tag, even though their hidden meaning is somehow mysterious. These stylistic devices are halfway between onomatopoeia, pun, irony. They often have a double sense that leads to naughty and sensual connotations bold, bawdy and sometimes rowdy. These poetic repertoire –before unattended– persist not as a passive reflection of inherited traditions, but as a melting pot of new recreations and reconfigurations that permeate genres, repertoires and various records. |
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source | DOAJ Directory of Open Access Journals; EZB Electronic Journals Library |
subjects | Connotation Figuras literarias Humor Irony Ironía Literary devices Literatura española Literatura medieval Literatura oral Medieval literature Metaphor Meter Metáfora Métrica Onomatopoeia Oral literature Oral poetry Poesía oral Poesía popular Popular poetry Rhythm Ritmo Spanish literature |
title | Zangorromangos, bimbilindrones, chuchumbés y otros eufemismos líricos populare |
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