Zangorromangos, bimbilindrones, chuchumbés y otros eufemismos líricos populare
Within oral and popular compositions, there are some words that stand out for the significance of their meaning. They are refrains which work as a kind of an expressive, rhythmic and metaphorical tag, even though their hidden meaning is somehow mysterious. These stylistic devices are halfway between...
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Veröffentlicht in: | Olivar (La Plata) 2012-12, Vol.13 (18), p.135 |
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Format: | Artikel |
Sprache: | spa |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Within oral and popular compositions, there are some words that stand out for the significance of their meaning. They are refrains which work as a kind of an expressive, rhythmic and metaphorical tag, even though their hidden meaning is somehow mysterious. These stylistic devices are halfway between onomatopoeia, pun, irony. They often have a double sense that leads to naughty and sensual connotations bold, bawdy and sometimes rowdy. These poetic repertoire –before unattended– persist not as a passive reflection of inherited traditions, but as a melting pot of new recreations and reconfigurations that permeate genres, repertoires and various records. |
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ISSN: | 1515-1115 1852-4478 |