Hearing in the Sixth Sense
In the middle of the 16th century, a new type of theory emerged that reflected a fundamental shift in the way music might be written and heard. The comments of Gioseffo Zarlino and Nicola Vicentino are compared.
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| Veröffentlicht in: | The Musical quarterly 1998-10, Vol.82 (3-4), p.517-536 |
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| container_end_page | 536 |
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| container_issue | 3-4 |
| container_start_page | 517 |
| container_title | The Musical quarterly |
| container_volume | 82 |
| creator | McKinney, Timothy R. |
| description | In the middle of the 16th century, a new type of theory emerged that reflected a fundamental shift in the way music might be written and heard. The comments of Gioseffo Zarlino and Nicola Vicentino are compared. |
| doi_str_mv | 10.1093/mq/82.3-4.517 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0027-4631 |
| ispartof | The Musical quarterly, 1998-10, Vol.82 (3-4), p.517-536 |
| issn | 0027-4631 1741-8399 |
| language | eng |
| recordid | cdi_proquest_journals_194387789 |
| source | Periodicals Index Online; JSTOR Archive Collection A-Z Listing; Oxford University Press Journals All Titles (1996-Current) |
| subjects | Composers Contrapuntal motion Listening in the Medieval and Early Modern Intellectual Traditions Madrigals Major intervals Minor intervals Music Music composition Musical aesthetics Musical consonance Musical intervals Theory Tonal harmony Vincentino, Nicola Zarlino, Gioseffo (1517-90) |
| title | Hearing in the Sixth Sense |
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