Hearing in the Sixth Sense

In the middle of the 16th century, a new type of theory emerged that reflected a fundamental shift in the way music might be written and heard. The comments of Gioseffo Zarlino and Nicola Vicentino are compared.

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Bibliographische Detailangaben
Veröffentlicht in:	The Musical quarterly 1998-10, Vol.82 (3-4), p.517-536
1. Verfasser:	McKinney, Timothy R.
Format:	Artikel
Sprache:	eng
Schlagworte:	Composers Contrapuntal motion Listening in the Medieval and Early Modern Intellectual Traditions Madrigals Major intervals Minor intervals Music Music composition Musical aesthetics Musical consonance Musical intervals Theory Tonal harmony Vincentino, Nicola Zarlino, Gioseffo (1517-90)
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Beschreibung
Zusammenfassung:	In the middle of the 16th century, a new type of theory emerged that reflected a fundamental shift in the way music might be written and heard. The comments of Gioseffo Zarlino and Nicola Vicentino are compared.
ISSN:	0027-4631 1741-8399
DOI:	10.1093/mq/82.3-4.517