THE CLEARING

This article is the translation of an important critical review of Paz Encina's first feature film, Paraguayan Hammock (2006), by noted critic Ticio Escobar, originally published in Spanish as “El Claro,” in the book La cámara sin ley: Hamaca Paraguaya y la refundación globalizada del cine guar...

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Veröffentlicht in:	Film quarterly 2017-06, Vol.70 (4), p.65-66
1. Verfasser:	Escobar, Ticio
Format:	Artikel
Sprache:	eng
Schlagworte:	Aesthetics Cinematography Encina, Paz Motion picture criticism Motion picture directors & producers Motion pictures Rhetoric Silence SPECIAL FOCUS ON PAZENCINA
Online-Zugang:	Volltext
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Beschreibung
Zusammenfassung:	This article is the translation of an important critical review of Paz Encina's first feature film, Paraguayan Hammock (2006), by noted critic Ticio Escobar, originally published in Spanish as “El Claro,” in the book La cámara sin ley: Hamaca Paraguaya y la refundación globalizada del cine guaraní, edited by Alejo Magariños (Servilibro: Asunción, 2016), 19–24.
ISSN:	0015-1386 1533-8630
DOI:	10.1525/FQ.2017.70.4.65