Miraculous Mathematics: André Bazin's Film Theory
[...]its reliance on equations reduced unstable, intersubjective encounters into static, discrete, or polarized structures such as positive and negative, true or false, and good and evil without any ambiguity or overlap. [...]the photographic technology of the cinema records exteriority with a preci...
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| Veröffentlicht in: | Discourse (Berkeley, Calif.) Calif.), 2016-06, Vol.38 (2), p.117-141 |
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| container_end_page | 141 |
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| container_issue | 2 |
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| container_title | Discourse (Berkeley, Calif.) |
| container_volume | 38 |
| creator | Vacche, Angela Dalle |
| description | [...]its reliance on equations reduced unstable, intersubjective encounters into static, discrete, or polarized structures such as positive and negative, true or false, and good and evil without any ambiguity or overlap. [...]the photographic technology of the cinema records exteriority with a precision that surpasses literary or pictorial mimesis. |
| doi_str_mv | 10.13110/discourse.38.2.0117 |
| format | Article |
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| ispartof | Discourse (Berkeley, Calif.), 2016-06, Vol.38 (2), p.117-141 |
| issn | 1522-5321 1536-1810 |
| language | eng |
| recordid | cdi_proquest_journals_1881386688 |
| source | JSTOR Archive Collection A-Z Listing; EBSCOhost Education Source |
| subjects | Algebra Arithmetic Biology Calculus de Broglie, Louis Albert De Sica, Vittorio (1901-1974) Essays Film Production Film Study Film theory French literature Geometric shapes Geometry Hugo, Victor (1802-1885) Italian literature Mathematics Modern Mathematics Motion pictures Movies Narratives Neorealism Organic Chemistry Photography Physics Police Quantum physics Science Studies |
| title | Miraculous Mathematics: André Bazin's Film Theory |
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