Miraculous Mathematics: André Bazin's Film Theory
[...]its reliance on equations reduced unstable, intersubjective encounters into static, discrete, or polarized structures such as positive and negative, true or false, and good and evil without any ambiguity or overlap. [...]the photographic technology of the cinema records exteriority with a preci...
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Veröffentlicht in: | Discourse (Berkeley, Calif.) Calif.), 2016-06, Vol.38 (2), p.117-141 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | [...]its reliance on equations reduced unstable, intersubjective encounters into static, discrete, or polarized structures such as positive and negative, true or false, and good and evil without any ambiguity or overlap. [...]the photographic technology of the cinema records exteriority with a precision that surpasses literary or pictorial mimesis. |
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ISSN: | 1522-5321 1536-1810 |
DOI: | 10.13110/discourse.38.2.0117 |