Preserving rapid prototypes: a review

Rapid Prototyping (RP) has revolutionized the world of manufacturing. It has gained popularity among designers and artists, having developed from a visualization tool to a manufacturing tool for end-use products. Rapid-prototyped objects are being accessed by museums and the technology is being adop...

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Veröffentlicht in:Heritage science 2016-11, Vol.4 (1), p.1, Article 40
Hauptverfasser: Coon, Carolien, Pretzel, Boris, Lomax, Tom, Strlič, Matija
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Sprache:eng
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Zusammenfassung:Rapid Prototyping (RP) has revolutionized the world of manufacturing. It has gained popularity among designers and artists, having developed from a visualization tool to a manufacturing tool for end-use products. Rapid-prototyped objects are being accessed by museums and the technology is being adopted for conservation applications. The review identifies the current most commonly used polymer based RP technologies and materials that are likely to enter museum collections, and formulates informed research topics related to their conservation. A knowledge exchange project was conducted with artists and designers using the technology via an online survey and interviews. The main technologies and materials used by artists and designers were identified and investigated including research that has been done into the stability of RP manufactured objects. Since these may be uniquely post-processed by artists and designers, RP objects are often irreplaceable, i.e. cannot simply be reprinted. The evolution from rapid prototyping (RP) to additive manufacturing (AM) has resulted in extensive research into the mechanical properties and short-term stability of prototypes. However, very little research has been conducted into RP from the conservation perspective particularly long-term stability studies. Since RP technology is rapidly developing, it is crucial that conservators and scientists follow and inform these developments. Graphical abstract Six prints executed in different polymers of an RP artwork “Out of the Cauldron” by the artist Tom Lomax, before and after a photodegradation experiment
ISSN:2050-7445
2050-7445
DOI:10.1186/s40494-016-0097-y