He Never Died

Tapping into primal and animalistic instincts, the representation of murder draws upon a sense that the human condition is to be fundamentally flawed, and suggests that such universal emotions as greed, jealousy, lust, and pride motivate a significant number of murders. The Old Testament figure of Cain, supposedly the first murderer (of his brother Abel), was forever cursed to 'be a fugitive and a wanderer of the earth' for all eternity.1 Cain's story of fraternal betrayal and antagonism is one commonly represented in films such as Bloodline (2005), Before the Devil Knows You're Dead (2007), We Own the Night (2007), and the Broadway musical Blood Brothers (1983-present).