Anonymous vs. Onymous, or When Will Croatian Musicology Remember an Unknown Composer
Examines the questions of what constitutes national style or Croatian identity in the music of Croatia which presents special problems owing to the historical position of the country as a regional culture rather than a central one often leading to assimilation or ignoring of ethnically Croatian comp...
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| Veröffentlicht in: | Studia musicologica. Academiae Scientiarum Hungarica 1996-01, Vol.37 (2/4), p.217-230 |
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| container_issue | 2/4 |
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| container_title | Studia musicologica. Academiae Scientiarum Hungarica |
| container_volume | 37 |
| creator | Blazekovic, Zdravko |
| description | Examines the questions of what constitutes national style or Croatian identity in the music of Croatia which presents special problems owing to the historical position of the country as a regional culture rather than a central one often leading to assimilation or ignoring of ethnically Croatian composers in historical context in favor of other influences such as the Austro-Hungarian or collective identity of the former Yugoslavia. |
| doi_str_mv | 10.2307/902377 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0039-3266 |
| ispartof | Studia musicologica. Academiae Scientiarum Hungarica, 1996-01, Vol.37 (2/4), p.217-230 |
| issn | 0039-3266 1788-6244 1588-2888 1789-2422 |
| language | eng |
| recordid | cdi_proquest_journals_1839795954 |
| source | JSTOR; Periodicals Index Online |
| subjects | Baroque music Composers Croatian Music Cultural history Cultural Identity Figurative art Historical musicology Music composition Musical aesthetics Musical Influences Musicology National movements Nationalism Regionalism Slavic culture Western civilization |
| title | Anonymous vs. Onymous, or When Will Croatian Musicology Remember an Unknown Composer |
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