Anonymous vs. Onymous, or When Will Croatian Musicology Remember an Unknown Composer

Examines the questions of what constitutes national style or Croatian identity in the music of Croatia which presents special problems owing to the historical position of the country as a regional culture rather than a central one often leading to assimilation or ignoring of ethnically Croatian comp...

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Veröffentlicht in:Studia musicologica. Academiae Scientiarum Hungarica 1996-01, Vol.37 (2/4), p.217-230
1. Verfasser: Blazekovic, Zdravko
Format: Artikel
Sprache:eng
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Zusammenfassung:Examines the questions of what constitutes national style or Croatian identity in the music of Croatia which presents special problems owing to the historical position of the country as a regional culture rather than a central one often leading to assimilation or ignoring of ethnically Croatian composers in historical context in favor of other influences such as the Austro-Hungarian or collective identity of the former Yugoslavia.
ISSN:0039-3266
1788-6244
1588-2888
1789-2422
DOI:10.2307/902377