Satan's School for Girls
[...]she does notice, looks shocked, the music goes "duhn-duhn duhn". and the credits roll. While I would baulk at the idea of announcing that either Buffy or Sex in the City present indisputably ideal models of femininity, what is most shocking about the return to the 1950s suburban baby...
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Veröffentlicht in: | The Irish journal of gothic and horror studies 2006-10 (1), p.167 |
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1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | [...]she does notice, looks shocked, the music goes "duhn-duhn duhn". and the credits roll. While I would baulk at the idea of announcing that either Buffy or Sex in the City present indisputably ideal models of femininity, what is most shocking about the return to the 1950s suburban baby factory and the rise of representations of the sex-murders of beautiful women is the ease with which they have been accepted. |
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ISSN: | 2009-0374 |