Gravity's Rainbow, Domination and Freedom
Turned down by the 1974 Pulitzer Prize board for obscenity (though winning the National Book Award the same year), Gravity's Rainbow is a landmark text that has dominated Pynchon's oeuvre for over four decades, showing off his remarkable qualities as a "surrealist, pornographer, [and]...
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Veröffentlicht in: | Modern fiction studies 2016, Vol.62 (1), p.164-167 |
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Format: | Review |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Turned down by the 1974 Pulitzer Prize board for obscenity (though winning the National Book Award the same year), Gravity's Rainbow is a landmark text that has dominated Pynchon's oeuvre for over four decades, showing off his remarkable qualities as a "surrealist, pornographer, [and] word engineer" (17), as he once described himself, and many other interesting things besides. [...]on, however, the writers get squeamish about this, suggesting ethical interpretations of the more dubious sex scenes in Gravity's Rainbow, which infamously include pedophilia, coprophilia, and incest fantasies, considering them "withering satire[s] of control" (81)-of patriarchy, empire, and so on. |
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ISSN: | 0026-7724 1080-658X |
DOI: | 10.1353/mfs.2016.0013 |