LEÓN DE GREIFF Y SU ASIMILACIÓN DE LA POESÍA MEDIEVAL/MEDIEVAL INTERTEXTS IN LEON DE GREIFF'S POETRY

This article studies the use of medieval literary sources in the works of the Colombian poet León de Greiff. Resorting to intertextual instruments of analysis taken from the theories of Genette (Palimpsests), Linda Hutcheon (Theory of Parody) and Harold Bloom (The Anxiety of Influence) we analyze the assimilation of lexical, formal, cultural, and imaginary resources derived from trovadour's medieval poetry into the works of de Greiff's poetry. Según Calinescu: "The criticism one can make of this approach (Hutcheon's) is that it stretches the meaning of parody so much as to make it cover virtually all cases of literary intertextuality" (Calinescu, 1977, p. 245). Marco Ramírez Rojas marco.ramirez@lehman.cuny.edu Lehm an College, Estados Unidos Recibido (16.02.2015) - Aprobado (2.09.2015) DOI : 10.17533/udea.elc.n38a01